My internal GPS is normally set to the ocean, but today I want to pay homage to the restorative powers of the forest floor. A few years ago, I was feeling burnt out by the fast and furious pace of my 21st century life. The nonstop responsibilities of being a business owner were wearing me down. My husband and I were having a difficult time connecting due to our opposite schedules. And my daughters were involved with multiple activities that had us playing “divide and conquer” most weekends.

I joked one particularly stressful night that I needed some Calgon to literally take me away. Alone. For at least two uninterrupted days. I put out feelers on Facebook to see if anyone had any tips for a peaceful, remote location I could explore. My criteria included no chain hotels, no bed and breakfasts, and bonus points for no TVs or wifi. I was hoping to not see a single soul or feel pressure to remain plugged in.

A friend suggested the Getaway cabins in New Hampshire (they have outposts scattered all over the country), and I was sold! I booked a midweek trip, packed a bunch of art supplies and reading material, and told my family it was my goal to be completely unplugged (i.e. “Don’t call me, I’ll call you”).

When I tell you it was absolute nirvana, I am not exaggerating! Each cabin was perfectly distanced from the others and nestled among canopies of trees. They were also outfitted with all the modern amenities you could want (including the comfiest beds and linens, cooktop, dishes, bathrooms with running water, firepits, and picnic tables)! I was in heaven! That single getaway was a commitment to both myself and my creative process. I drew, wrote, mapped out content for new classes and workshops, and took the most delicious naps after exploring the area on foot. I left feeling more recharged and relaxed than I had in years and I vowed to give myself a gift of at least two of these trips per year (which I was able to do until covid hit).

With this MUSE project, I wanted to pay homage to that forest, those cabins, and the forest floor that cradled and restored me over and over again. 

I started with both colors of Apoxie Sculpt and I sculpted a variety of mushrooms, adding little details as I went. Once the Apoxie Sculpt was dry (*note: the black clay takes longer to cure than the white clay), I coated the mushrooms with clear gesso. Once primed, they were ready for multiple coats of VerDay finish to give them that earthy, mossy vibe. 

I then gathered up some moss and tree bark and got to assembling my “forest floor.” I used a tree slice with a raw edge as my substrate. The moss was adhered with a hot glue gun, and then I arranged my fungi just so and used the hot glue gun to adhere that as well. The final touch was a few adorable little metal acorn embellishments that were also finished with VerDay. I scattered those on the forest floor as well. 

This is different than the work I usually create, but I love how it came out. Just looking at it transports me back to those sublime weekends by the forest floor. I’m going to display it in a place where it will continue to ground me on a daily basis until I can return to my cherished nirvana. 

Thanks for reading! I hope this inspires you to both create AND escape!