When I started RELICS & ARTIFACTS ® it all began with just a few simple pieces. I have always been a collector of well, just about everything, from rocks, shells and porcelain to jewelry, pottery and ephemera. I still have lots of things from when I was a really young kid. Fast forward to today and while those collections have grown in size I’m still searching out much the same kinds of things. One of the first resin craft blank castings I made were from a group of antique milagros and ex votos. I paired them up with 18th century hand carved angel wings that were actually attached to large figures. Making the molds was tricky it was hard wrangling the pieces and not damaging them in the process. Those first hearts sets turned out to be some of our best sellers and when my original molds bit the dust I didn’t want to risk it again so we discontinued those sets. I finally worked up the nerve to take molds from the antiques again and here we are with several reissued set and some new pieces as well. Hope you love them as much as we do!
Patti Campbell- Guest Muse
Hello, this is Patti Campbell. Sandra’s ArtFoamies inspired me to create this piece of faux stained glass.
Delight of Design
Designing and bringing the pieces to life is such a special pleasure for me. It involves purposeful mental observations, a bit of fantasy, some vision, lots of experimentation and finally, the reward, fruition. Its so satisfying to have a finalized set of disparate objects come together to create a meaningful group that not only speaks to me but to others as well. Whether it be resin blanks, rubber stamps, foam stamps or simply just searching out unique and wonderful things to share with you. Our little company is a delight and a labor of love! Thank you all for traveling this road with us and for supporting this endeavor!
Kintsugi, the R&A Way- Jenn Pipe
There is a centuries-old Japanese art form called Kintsugi. In this art form, broken pottery is fixed with a golden adhesive, which gives a unique appearance and new life to these damaged pieces.
Read moreBlackbird- Wendy Aspinall
In the 1960’s Paul McCartney wrote the lyrics to this beautiful song, Blackbird.
Read moreLet Joy (and Sandra’s Stamps) Be Your Compass:
Back in the day (circa 2000--), I was a HUGE scrapbooker who cataloged every memory, both big and small. I am a very tactile and visual person and the act of combining heartfelt words with my photographs, pretty patterns, and textures lit me up from inside. It’s a way of storytelling and memory keeping that really vibes with who I am at the core.
My style of art has morphed since then and the way I document our memories has morphed alongside of it. I also have access to a much more robust portfolio of art supplies—which means that a lot of what I create these days is off the page and many times doesn’t even involve a single word or a sheet of paper. As I reflect on it, that evolution has been both a blessing and a curse.
Sometimes, when I’m looking for inspiration to hit, or when I want to get those creative juices flowing, I have an overwhelming desire to get back to my roots. Which is exactly what I did here. I had a few specific goals in mind when I set out to create my projects for this month’s MUSE blog post:
• Work small—each assemblage should be under 5x7.
• Keep it simple and mainly 2-dimensional (paper and embellishments only).
• Use lots of layers.
• Create additional backgrounds with Sandra’s wide array of stamps!
• Make it fun and playful.
I started by pulling out my R+A and ArtFoamies stamps, marveling in the collection I have amassed in a relatively short period of time. I also gathered up some patterned papers and scraps, fun embellishments, and some washi tape. Have you ever tried to create art while simultaneously and consciously limiting yourself to certain materials? It’s a great way to challenge yourself and get the pistons in the creative centers of your brain firing on all cylinders, so give it a try if you haven’t already.
Then I made some backgrounds, primarily using Sandra’s Air, Marrakesh, and Tenango Oscura ArtFoamie. I also used Cupola, Halo, Driftwood Crown, and the Portal series. Then, I unleashed my Inner Child and let her out to play! I tore papers, gathered up some whimsical embellishments, and layered with wild abandon. The result was these beautiful (and fun) multi-dimensional assemblages. What a feast for the eyes!
Are you curious about what you might do with such creations when they are completed? Well, anything you want! But, you can gift them, add them to books or journals, turn them into cards, swap them, pin them to a mood or vision board, or have them be the focal point in a larger art journal page. They can also be the centerpiece on a canvas where you add more 3-dimensional elements like the R+A craft blanks. The possibilities are endless! I chose to adhere them to an oversized folio I have been working in—they act as benchmarks in my artistic journey and reminders that some things come full circle.
Keep creating!
Jenn Pipe
MUSE Design Team 2020
P.S. Here is where I highlighted Sandra’s stamps in each piece. I used Marrakesh and Cupola in “Let Joy Be Your Compass.” In my “Enjoy the Journey” ocean pieces, I used Air, Halo, and the tiniest little scrap of Marrakesh. In “Be Brave,” I used a Tenango Oscura background, Air, and Esoteric from the Portal series. And, in “Forever in My Heart” I used Tenango Oscura, Driftwood Crown, and some of the smaller foamies hearts from one of Sandra’s retired pieces.
Behind the Scenes
We thought it was about time to share a little behind the scenes of RELICS & ARTIFACTS® with you.
Although we have worked with several large corporations to produce our craft blanks in the past we have come to understand the value of producing our own product right here in the U.S.A.
I purposely surround myself with things that inspire me bits and pieces of unusual antiques.
You may recognize parts that eventually end up in the collection.
I really love sitting for hours carefully shaping, sanding and bringing each piece to life, preparing it for the master mold process.
I also sculpt various portions as needed to complete my vision at any given time.
Aside from having a little help in the pouring and cleaning department David and I do everything ourselves.
I do the designing and production, David handles packaging, shipping and the business end.
I like that I am able to work on my own schedule, which carries me late into the night and early morning most days.
We also have the flexibility and freedom to release new designs whenever we want, the old way of having only two releases per year is too stifling to the creative flow.
We use a proprietary Stone Resin blend that gives the surface an eggshell like texture allowing it to take paints and glues really well.
Each blank you receive has been touched by human hands, not machines. I feel that fact lives in the fine details and shows in the end result. A sparkling, crisp, three dimensional blank canvas ready for you to incorporate into your own creations.
Designed, shaped, cast, cleaned packaged and shipped with care directly from us to you.
We appreciate your business. Thank you for five fun years of sharing our creative adventure and cheers to many, many more years to come!
RELICS & ARTIFACTS® Proudly handmade in the U.S.A. ~ Sandra and David
Le Roi Soleil- Wendy Aspinall
We are still in limbo, our lives have become endless numbers of days staying in place. I don’t know about you but my little studio has become my happy place. As I don’t have anywhere to rush off too, I’m spending more and more time there. And it makes my days brighter, it would so easy to let my mind vegetate but I find myself dreaming up new projects.
And this canvas is one of those ideas, inspired by the new Camafeos in the R&A store and the French Monarch Louis XIV or Le Roi Soleil, the Sun King. He ruled for 75 years and he was a dreamer like me, he envisioned the Palace of Versailles.
I started my project by gluing on the Medium and small sized Helios II wood shaped suns onto a 4 inch squared canvas.
Then added the round Roman headed cameo.
Some paper clay stars.
This was left to dry and then painted with the Verday paint in copper.
Next I added some paper clay Medallions, some chipboard stars and an Eiffel tower and some flower pics. Then everything got another coat of the copper verday paint. When dry, I sprayed it completely with Patina Solution.
Lastly I added copper wax to bring out some of the details on the Cameo and Medallions.
Thank you for your time and I hope this inspires you to find your happy place and dream big. Have fun and make art. And above all stay healthy and well. Hugs Wendy.
Even More Fun!
We are now offering a few popular items in a range of sizes. Above is the Helios I in 3 sizes. Measurements are and pricing are in the Shop.
The Helios II is also available in 3 sizes. The Middle (Medium) is the Original Helios II.
Raphael Wings now in 2 sizes. The large one is the Original.
The Heart In Hand also gets a half size treatment.
We’re looking forward to seeing these inspire you and your latest Creations. Stay safe!
Long Ago and Far Away
Editor’s Note: This is a re-cap of a challenge we had in the Tribe a couple of months ago. Then a pandemic ensued. Enjoy!
MUSE Spoon Challenge Blog Post by Jenn Pipe
There is a flea market that comes to town three times a year. Last September, I was scouring the grounds for finds that I could use in my upcoming studio classes. I was seeking inspiration while sifting through fields and fields of antiques and other people’s junk.
I eventually came upon a vendor who had lots of bits and baubles and an inordinate amount of old silverware. Once I saw the box full of old spoons, I knew I had hit the jackpot—I bought the whole lot from her and went on my merry way. My love affair of transforming these utilitarian instruments began that day!
Fast forward to February 2020: I was teaching an in-person women’s “spoon” class in the Self Esteem Through Art studio and I also volunteered to host a challenge in the Relics and Artifacts Facebook group. I thought, “Self, why not have the tribe create some spoons as well?” It seemed like a no-brainer and something that probably hadn’t been done in the tribe yet.
Over the course of the challenge, we had quite a few beautiful submissions. There was a stunningly created winged spoon with a rich VerDay finish and lots of Relics and Artifacts products. There was another spoon that was transformed into this magical woodland scene, complete with tree branches, a swing, and these adorable little mushrooms! There was a solar system with a beautiful golden sun. A gorgeous submission that looked like a very intricate hand-held mirror that perhaps a god or goddess would own. One participant created three different spoons with three different themes and R+A products. And there was another spoon that was straight out of a fairy tale, complete with Apoxie Sculpt snake, candelabra base, and the quintessential good vs evil theme.
When all of the MUSES convened to vote on the winner, we certainly had our work cut out for us! After discussions and deliberations, we decided that we had to award two prizes.
Our 1st place challenge winner was Lyneen Jesse. She was the participant who created three separate spoons. But, it was her ocean-themed star spoon that truly captivated the judges. The composition was breathtaking, the finish was rich and vibrant, and the use of craft blanks was very well executed.
Lyneen shared with me that mixed media is where her heart is, so she was excited to create on these unique little spoon “canvases.” Never having used VerDay before, she purchased some from sandraevertson.com. She admits to being disappointed after the first coat, but completely blown away after adding the second coat and applying the activator.
This is how Lyneen felt after applying the activator and watching the transformation: “OH MY! The transformation was AMAZING. I never would have believed it if I had not seen it with my own eyes. I am loving all of the finishes so far and the only one I still have to try is the bronze. Trust me, you will not be disappointed when you work with VerDay!”
Here is Lyneen’s award-winning spoon. Her spoon won her a $30 gift certificate at sandraevertson.com.
Our runner up was Naomi Montana Walsh. When I first saw her spoon, I couldn’t take my eyes off of it. I knew it was telling us a story and it reminded me of something from a fairy tale. I couldn’t wait to reach out to Naomi to learn more!
Naomi calls her spoon “Eve’s Temptation” and it is rich with symbolism. She wanted the bottom of the spoon to be like a pool. The foot represents Eve dipping her foot into that pool of temptation (in this case, the temptation is knowledge). Naomi sculpted the snake with Apoxie Sculpt and twisted it down the spoon handle. She then built a fruit tree at the top and then attached the spoon to a broken candelabra-like Halloween ornament for the platform.
Naomi believes Eve was best represented by an expressionless face as she was somewhere between her fall from grace. She also included an element of hope, which is represented by the dove at the bottom of the platform. So brilliant! So unique!
This is Naomi’s spectacular spoon. She won a $20 gift certificate at sandraevertson.com.
I want to thank everyone who participated in the challenge. I also want to thank my fellow MUSES for their creative contributions, which certainly helped this challenge to gain a bit of traction, and for their expert opinions on the submissions.
This was a lot of fun and I can’t wait to host my next challenge for the Relics and Artifacts Tribe!
Mother Nature's Heart- Lanette Erickson
Hello Everyone, Lanette here. With all the craziness in the world right now I find myself trying to take a moment to enjoy the little things that so often go unnoticed. For example Hostas, Hydrangeas and Lilies emerging from their winter sleep. It happens so quickly every year, one day its gray and gloomy, the next the yard is green. Normally I miss it, I'm busy with the end of school year activities. But this year I haven't, I saw glimpses of the quick change from gray and gloomy to alive and green.
So with the wonder of Mother Nature on my mind I picked up Sandra's Vessel Heart and went to work. This is what I ended up with:
I truly enjoyed creating this little heart. I started by cutting a wooden block for the base and attaching a piece from a wire hanger to the back of the heart with a bit of Apoxie Sculpt.
Next I went to work on decorating my block base with just a bit of tissue paper, watercolors and Sandra's Beautiful stamps. (Oculus Stamp & Elements Set of 4 Collection)
Next it was on to Sandra's Vessel Heart , I opened up my New Dina Wakley Gloss Sprays and sprayed my heart out. I know this heart was indented for Halloween. But with a mix of ribbon and bright colors I think it found another use.
Thank you so much for stopping by today I truly appreciate it! I hope that I have inspired you in some tiny way.
Until Next Time,
-Lanette
Relics & Artifacts Products Used:
Art Gives- Milagros C Rivera
I seem to come to play in times of hardship. I’ve come to the Muse on hurricanes, earthquakes and now pandemic.
Read moreGuest Muse Cathy Frailey- My Word Is My Bond
I would like to say how honored I am to be here, sharing this cross I made using Sandra's wonderful products.
A dear Christian friend of mine passed away in March - he was a Navy Seal during Vietnam and an American hero in my eyes. I wanted to make something for his wife and family that would convey his love of country with his Christian faith. I knew I had to use the Eagle Totem and the large heart from the Santo Domingo Sacred Heart Set. It was the perfect melding of the two messages I wished to convey.
The heart with the cross signifies Christ's suffering during his crucifixion, wearing a crown of thorns. I wanted it to also reflect the Purple Heart - the oldest military award given to US service members.
I used Finnabair's Electric Violet and Aged Brass waxes to reflect the colors of the Purple Heart Award. I used a stippling brush but didn't get it in every book and cranny. I also went over the gold parts lightly with my finger dipped in Liquitex Liquid Acrylic Ink in Gold Metallic.
The eagle is our nation's emblem and, thus, also a symbol used by the military. It is prominent on a Navy Seal Trident Pin. It's also mentioned 34 times in the Bible, one the most well-known verses being: "But those who hope in the Lord will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint.” (Isaiah 40:31).
I used Finnabair Charcoal Black Matte Wax for the feathers. I again used the Liquitex Liquid Acrylic Ink in Gold Metallic and Black for the eyes and beak. It's colored on both sides.
The sentiment - My Word is My Bond - is part of the Navy Seal Creed. It also reflects God's promises in the Bible. His Word is His bond with us.
The cross itself is a good size and made of wood: 5.5" x 9.5". I covered it in Finnabair Paper Texture Paste and went around the edges with Gold Rub 'n Buff. I draped a piece of cream-colored Sari silk ribbon around it.
On the back, I put his name and other personal info which I won't show. Navy Seals don't want to be known or found. They serve their country in stealth and don't do it for personal honor or recognition. Coming from a military family, I want to honor those traditions.
Again, I want to thank Sandra and David for this invitation to show my work and to thank them for their beautiful products which I love to work with!
Cathy Frailey
MUSE Jenn White & her Husband Glenn Celebrate two decades of their LOVE.
Here in the Midwestern HEART of America where I reside, the month of March is when we begin to experience my favorite season of the year.
The glorious Spring awakening & greening is full of so many natural miracles & magic.
Green Day, Saint Patrick's Day, March 17th is a very special day for my husband Glenn & I. It is the day before our wedding day.
On March 18th of this year we will be celebrating our 20th Wedding Anniversary.
To commemorate this occasion, I created a mixed media assemblage canvas to decorate a wall space in our home.
Here is the story of the meaning behind it and a short Tutorial.
The genuine four-leaf clover comes from the white clover plant Trifolium Repens. It grows wild all over our property. It produces one of the earliest wild flowers to bloom in the Spring giving our honey bees strength, energy & nourishment.
The leaves of the rarely found four-leaf clover of this plant signify HOPE, FAITH, LOVE & LUCK.
The CLADDAGH has symbolic meaning too.
The hands signify FRIENDSHIP.
The crown signifies LOYALTY.
The heart signifies LOVE.
"With my hands I give you my heart & I crown it with my love."
(For more on the great story of the CLADDAGH, go to the Relics & Artifacts product page & read what Sandra Evertson wrote about it in her product description.)
My use of the color green signifies our luck in finding each other at a time in both of our lives when we desperately needed one another so much.
Our mutual understanding & respectful acceptance that each one of us is equally valued, important, needed & wanted to make our way of life & our relationship work.
How our earthy personalities, love of nature & the great outdoors compliment each other.
The harmonious balance between our very youthful imaginative hearts & our commitment to respect each other’s passions.
My use of copper signifies the continuous electric energy flow of our relationship, our mutual love, our romantic sensibilities, our artistic creativity & how compassionate & affectionate we both are.
My use of gold signifies our glow of optimistic positivity. How generous & giving we both are, our two big hearts of gold.
My use of the two sun symbols signifies the power we have, when the shining of our two bright lights join to make such a positive difference in the world, bright enough to light & warm the hearts of others.
My use of the flame symbols signifies the importance of keeping the cozy, welcoming, warmth of the home fires continuously burning. NEVER let them die or burn out.
I hope you take time to enjoy this Spring & have a very happy Green Day! I know I will!
Thank you for your time & I appreciate you showing your love by clicking on the heart in the comments section below this post.
HUGS! YOU ARE LOVED!
Tutorial :
1 - Begin by painting all of the craft blanks & the canvas with black gesso. Lightly wipe the black gesso off of the Large Sol Dresden while it is still damp. You only want it to antique the embossed recessed areas.
2 - After the black Gesso has dried completely paint the canvas with Copper VerDay Metal Paint then wipe it off with a damp towel. This creates a sparkling glow on the dry black gesso on the canvas. Set the canvas aside to dry.
3 - Paint the Ex-Voto hearts & the Helios with Copper VerDay Metal paint, being sure to let the edges still show a bit of black gesso, then set them aside to dry.
4 - Lightly highlight the raised areas of the Ex-Voto flames, Claddagh & Sol with Copper VerDay Metal Paint then set them aside to dry.
5 - Paint the Ex-Voto hearts with Galactic green ink from the Moonlight Duo Ink Pad then streak paint the leaf detail designs using ink from the darker Martian Green Moonlight Duo Ink Pad on a long, narrow fine detail paint brush. Highlight the areas on the CLADDAGH you wish to have green accents.
6 - Paint the heart on the CLADDAGH with metallic gold acrylic paint. Accent & highlight other areas on the CLADDAGH & Helios where you wish to add a touch of gold.
7 - Thinly paint a section of your craft mat with Copper VerDay Metal Paint. Place the Marrakesh red rubber stamp face down into the paint, the same way you would ink a stamp. Stamp the design onto the canvas as shown in the photo. Set aside to dry. The blank areas will not show once the Helios & Sol are glued into place. When the stamped paint is dry, paint the diamond, marquise, & tiniest circle shapes with metallic gold acrylic paint using a fine detail paint brush. When the paint is dry, highlight the gold diamonds & tiniest circles with ink from the Martian green Moonlight Duo Ink Pad. Apply the ink with a fine detail paint brush. It should create the effect of faux emerald gemstones.
Paint around the rim edge of the canvas with a paint brush full of metallic gold paint to give the canvas a finished look of uniformity.
8 - Paint the outside edges of the canvas with black gesso. When dry, glue the Large & Small Gold Daisy Chain Dresden strips to the outside edges of the canvas to give it a framed finished look. They have the look of gold 4 leaf clovers! PERFECT!
9 - Center the Helios & glue it down to the painted canvas.
Center the Sol Dresden & glue it to the Helios.
Mark the center of the Large Sol Dresden & begin gluing down the Ex-Voto Hearts making sure the flame points line up with the corners of the canvas.
Glue the CLADDAGH down in the center of the 4 Ex-Votos
10 - Snip the Peridot Bohemian Gemstones apart with wire cutters. Apply them with glue as embellishments on the canvas wherever you desire.
4 - Ex-Voto resin craft blanks
1 - CLADDAGH resin craft blank
1 - Helios laser cut wood craft Blank
1 - Large Sol Dresden in Gold
Marrakesh Red Rubber Stamp from Sandra Evertson's Tapestries Collection
8 ounce bottle of copper VerDay Metal Paint
Moonlight Duo Ink Pad in Total Eclipse Black
Moonlight Duo Ink Pad in Galactic Green
Moonlight Duo Ink Pad in Martian Green
Set of Peridot Bohemian Jewels Rhinestones
Package of Large Daisy Chain Dresden in Gold
Package of Small Daisy Chain Dresden in Gold
Other supplies used:
1- 8"x8" wall art
canvas
Black gesso
Various artists paint brushes
Inexpensive bright metallic gold heavy body acrylic paint
5 second super Glue
Creating Change: An Homage to Mother Nature, Jennifer Pipe
I’ve had Mother Nature on the brain lately. She is so forgiving, so generous, and so regenerative, but I think she is getting fed up with our collective apathy. She is desperately trying to tell us something and I’m not convinced the majority of us are listening.
The fires in both Australia and the Amazon.
The unfathomable plastic pollution in the ocean.
The earthquakes and hurricanes in Puerto Rico.
The leveling of natural parks and historic burial sites in the US for “walls,” pipelines, and drilling.
Seventy-degree weather in Antarctica.
The pollution-for-profit mindset of our current political leaders.
These are all signs that something is amiss. The warning bells are ringing loud and ringing often! It’s mind-boggling and concerning and should be top of mind for everyone. We’ve lost our way; and our short-sightedness and greed could certainly be our undoing. Humans are our planet’s worst enemy. We take and we pillage, often forgetting that our resources are finite and this is the only place we can call home.
As I was creating this project, I pondered my roles and responsibilities as a member of the 2020 MUSE Design Team. Am I here to simply create unique pieces of art? Is my main purpose to solely promote fabulous art products? Should I keep things light and fluffy? Or am I called to go deeper than that? Could I share with you my passion for Art as Activism? Can I be real, raw, and vulnerable about my feelings? Can I simultaneously create beautiful things while also being educational and thought-provoking?
Since art often helps me process my emotions and make sense of the world around me, I think I have to be true to myself and go with the latter; knowing that not everyone will share my viewpoints or feel my sense of urgency. This piece is simultaneously a tribute to our natural world and a canary in the coalmine cry for immediate and lasting change. I hope it inspires you to create something beautiful in the days and weeks to come—I also hope, if nothing else, it results in you thinking about the importance of clean air and clean water for all. After all, the human race can’t survive without those things!
The Project:
The base of this project is a 3.5 x 3.5 inch wooden cube, which I coated in black gesso. Atop the cube sits a resin eagle from Sandra’s “Totems” collection in a nest of moss, bark, and greenery. The eagle was painted using the “iron” paint from the VerDay paint kit and I am loving the results! The eagle’s nest is anchored by one of the resin frames from the Italian Baroque set, also painted with VerDay—brass this time.
The flags sticking out of the nest are our clarion calls:
· Stop taking things for granted,
· Pay attention to our ecosystems,
· Remember, we only get one chance!
On each of the four sides of the cube, I made an homage to a particular aspect of nature. Water, forests, air, and soil.
I printed the words out and adhered them with Mod Podge, highlighting the area around the words with a black Posca pen.
I used stencils and both StazOn and Distress Inks to add visual interest to the backgrounds. At the end of the process, I highlighted some of the areas on the cube with unaltered copper VerDay paint. It gives it a nice dimensional appearance and helps create a more cohesive feel between the top of the cube and the sides.
· Resin eagle from the Totems collection
· Brass and Copper VerDay Paints
I am so grateful for the opportunity to share both my art and my heart with all of you! May this post inspire you to try new materials and techniques. And may it also inspire you to contemplate new ways of existing on this beautiful blue marble we call home.
Jenn Pipe 2/18/2020
Guest Muse, Betsy Skagen_ She's Got Her Head In The Clouds
It was such an honor being asked to be the guest artist for the amazing Sandra Evertson that I wanted to make something special using one of my favorite color combinations of blue, purple and gold.
Read moreThe Kiss Me Again by Wendy Aspinall
Becoming a Muse made me think about what inspires me, who or what makes my heart beat faster.
For me it is the work of Austrian artist Gustav Klimt. Especially his golden period, when he produced one of the most recognizable and popular pieces, The Kiss.
And as February is the month of romance. What could be more romantic than the painting The Kiss, it’s also my personal favorite and the inspiration for my contribution to this month’s Muse blog post.
I have re-worked some of his pieces with digital images but never in a physical format before, so I’m very pleased to share with you my canvas inspired by Klimt’s work.
The Kiss me again canvas re-invented with help from Relics and Artifacts by Sandra Evertson.
And like Klimt I too have used gold leaf to bring my piece to life.
Also resin blanks from Visage and Persona.
Apoxie Sculpt. Verday paint in bronze, a canvas painted with black gesso
Acrylic paint, Gold paint, Gold leaf.
I really had fun making this canvas.
I would like to hope the artist is looking down and is pleased with my interpretation of his stunning work, from one Muse to another.
I also hope I’ve inspired you to have fun and make art!
Christmas Time Is Here, An Ornament Project by Kent Mullens
Christmas is one of my favorite times of years. It is a time of being with family and friends. There also seems to be a sense of hopefulness around this time of the year.
Christmas is important to me because of my faith. When Sandra asked me to be a guest on the Muse I had the perfect idea of what I wanted to make. I love to make and create ornaments to give to my family especially my wife and daughters. I had seen a couple of new releases that I knew I wanted to utilize to make a Christmas ornament. This Chiristmas ornament will not be given away. It will be something that I will save for myself. It will be a reminder to me about the true meaning of Christmas.
I chose one of the Cathedral windows to use for my piece. These windows remind me that the past always holds the keys to the future. The windows can be a shining light illuminating the future by looking at the past. I used water colors in shimmering platinum and and grey. On the roof I added a touch of green to help create a patina. I then took granite pencil over all the raised areas so that the texture would be exposed. I used swarovski crystals and pearls to give the window a sense of opulence
I also chose the crown from the Mini Santos collection. The crown is a symbol of royalty and power. I colored it with watercolors in gold, yellow and pewter so to give it depth. I then embleshied it with Swarovski chrystals and pearls.
I then used a star stamp from Tim Holtz set Christmas Time 2 CMS 389. I embossed it on Yupo paper with shimmering gold embossing powder. I cut it to fit the window pane and adhered it with glue.
I then took the smallest doll in the tribe series and wrapped it in Tim Holtz Mummy cloth and glued it so that it looked like swaddling cloth.
I attached the crown to the bottom of the window upside down and then glued the baby to the bottom of the crown. I then attached a gold ribbon to the back of the ornament so that it will hang from the tree.
I love the symbolism of this piece. As a follower of Christ I am constantly reminded that Jesus came to turn power upside down and is a reminder to us that love, hope, compassion are the way in which people will know who are true followers of Jesus Christ. I hope you have the merriest of Christmas and a hope filled New Year.
Jenn White's Pumpkin Princess
I decided to create this enchanted pumpkin princess story book doll for my grandchildren to enjoy while I read my stories aloud to them.
Read moreHer Maiden Voyage - Ann Barnes
My hope is for you to draw inspiration from the Relics & Artifacts blanks.
To allow them to tell their stories through your eyes, and your art.
Read more